Skip Navigation


Contemporary Women's Writing Advance Access originally published online on March 9, 2009
Contemporary Women's Writing 2009 3(1):114-115; doi:10.1093/cww/vpn022
This Article
Right arrow Full Text
Right arrow Full Text (PDF)
Right arrow All Versions of this Article:
3/1/114    most recent
vpn022v1
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to My Personal Archive
Right arrow Download to citation manager
Right arrowRequest Permissions
Google Scholar
Right arrow Articles by Szeghi, T. M.
Social Bookmarking
Add to CiteULike   Add to Connotea   Add to Del.icio.us  
What's this?

© The Author 2009. Published by Oxford University Press. All rights reserved. For permissions, please e-mail: journals.permissions@oxfordjournals.org

Footpaths & Bridges: Voices from the Native American Women Playwrights Archive. Shirley A. Huston-Findley and Rebecca Howard, eds

Tereza M. Szeghi

Colby College USA tmszeghi@colby.edu

Footpaths & Bridges: Voices from the Native American Women Playwrights Archive. Shirley A. Huston-Findley and Rebecca Howard, eds. 2008. University of Michigan Press, Ann Arbor. pp. 291. £48.92, $74.74 hardback

The first 10% of the full text of this article appears below.

Shirley A. Huston-Findley and Rebecca Howard advocate a decolonized view of Native American women's drama in Footpaths & Bridges: Voices from the Native American Women Playwrights Archive. In their analyses of the nine plays and one performative lecture of this collection, by women descended from indigenous tribes of the Americas, Huston-Findley and Howard emphasize the importance of avoiding a discrete definition of . . . [Full Text of this Article]


Add to CiteULike CiteULike   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us    What's this?