Skip Navigation


Contemporary Women's Writing Advance Access originally published online on August 7, 2009
Contemporary Women's Writing 2009 3(2):200-202; doi:10.1093/cww/vpp004
This Article
Right arrow Full Text
Right arrow Full Text (PDF)
Right arrow All Versions of this Article:
3/2/200    most recent
vpp004v1
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to My Personal Archive
Right arrow Download to citation manager
Right arrowRequest Permissions
Google Scholar
Right arrow Articles by Michlitsch, G.
Social Bookmarking
 Add to CiteULike   Add to Connotea   Add to Del.icio.us  
What's this?

© The Author 2009. Published by Oxford University Press. All rights reserved. For permissions, please e-mail: journals.permissions@oxfordjournals.org

Can't I Love What I Criticize? The Masculine and Morrison. Susan Neal Mayberry, ed

Gretchen Michlitsch

Winona State University, gmichlitsch@winona.edu

Can't I Love What I Criticize? The Masculine and Morrison. Susan Neal Mayberry, ed. 2007. University of Georgia Press, Athens. pp. 340. £33.50, $34.95, hardback

The first 10% of the full text of this article appears below.

Susan Neal Mayberry's Can't I Love What I Criticize? The Masculine and Morrison tackles a timely and worthy topic. In the first book-length work to claim a focus on all of "Morrison's men," Mayberry undertakes a thorough reading of Toni Morrison's novels to date. Drawing her ungainly but thought-provoking title from Guitar Bains's contention in Song of Solomon, "Can't I love what I criticize?," Mayberry wisely makes clear that Morrison's male characters are worthy of significant criticism as well as love. . . . [Full Text of this Article]


Add to CiteULike CiteULike   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us    What's this?